What’s in a dress?

My favorite dress of the Academy Awards. Also hubby’s favorite dress. Do you know what he said? He said…“All a man can think about is taking if off…”

Should I smack him? Or buy a dress like it? I think I’ll smack him Leroy Jethro Gibbs-style and then put the line in a story. Oh, wait, I already used it in Beauty and the Feast.

Unfortunately I have a sore throat. Aside from migraines, I rarely get sick. Blech. Over at Night Writers Tuesday talking mushrooms.

New singer discovered by my husband: Adele…love her!

Everything old is new again.

First of all, I was forced to watch the Academy Awards. Had to, no choice. For one thing, the movies released in 2010 were outstanding, the best I’ve seen in years. Second, I love the glamor and I will not apologize for that. I’m so not glamorous, but that’s what the Academy Awards show is all about - fabulous dresses! Plus Kirk Douglas was a hoot! So cool that an elderly man who’s suffered a stroke has still got it goin’ on! Oh yeah!

So a bit of a replay…there’s been much discussion recently on one of the loops I frequent about the necessity of an indisputable HEA in order for a story to be considered a romance. If a story ends in either a tragedy or is left sort of open-ended, many, if not most, romance readers consider it a ‘love story’ or literary fiction. Nicholas Sparks, who writes very popular mass market romantic stories, claims he does not write romance. Does he or doesn’t he? Um…I think he writes romance, but what do I know?

I personally don’t think romance MUST end with a 100% HEA. I don’t demand an HEA. I do demand a satisfying ending no matter the genre. A story might end with a Happy For Now, a cliffhanger, a semi-tragedy and still be a romance as opposed to a love story, at least as far as I’m concerned. On the other hand, a love story does not necessarily end in tragedy. Not every love story is Love Story. And don’t say - love means never having to say you’re sorry, because for damn sure it does - the biggest cop-out ever uttered in a motion picture/novella…grumble…grumble…

The definition of a romance novel according to RWA: “Two basic elements comprise every romance novel: a central love story and an emotionally-satisfying and optimistic ending.”

So tell me, does the phrase optimistic ending demand a definite, perhaps finite is a better word, HEA? Is there wiggle room? What do you think?

I miss all the parties.

Sucks, but it’s my own fault. Seems like I’m always a day late and a dollar short.

Here’s what I miss: chats, book tours, (how do you all get in on those book tours?), promos. I try, I really do, but chats make me nervous - my ADD-ish brain feels overwhelmed by the threads. Plus they are extremely time consuming - consuming of time I don’t have.

Honestly, I lead a busy life and I barely have time to write. How on earth do you all fit time in for the extra stuff?

I’m currently splitting time between two WIPs, I’ve got a sequel to both Captured and One Four All in the works, and plans for oh-my-gosh, four more full-length books and a paranormal series. I take my blog very seriously, I answer my emails, I’m determined to keep up with my friends. Still, I feel that I’m missing out on so many promo opportunities - but how to choose?

Where do you get the biggest bang for your buck?

Before I get to the good stuff, the better stuff!

If you go to the Siren site, not only can you get my new release, Pushing Her Boundaries, at 10% off, you can get all my Siren books at 15% off for the next three days! Hurry!

Also better stuff…remember True Grit? How much I loved both the movie and the book? Well, I’ve got another movie rec for you. This film is brilliant, deeply disturbing, dark and uplifting all at the same time. I actually feel like True Grit and this movie should share the award for Best Picture. It won the 2010 Grand Jury Prize at Sundance. Blew. Me. Away. Winter’s Bone. Go rent it ASAP. I could not take my eyes off Jennifer Lawrence - the young actress in the leading role.

On to my scheduled topic: Why I like a blank canvas. One word - potential. It’s all there, space waiting to be filled by my dreams, my fantasies, the crazy workings of my fevered mind.

Years ago, I painted. Everyone expected me to be an art major because I had some unusual successes as a teenager. I did begin my freshman year in college as Fine Arts major, but I failed. As far as my teachers were concerned, I sucked at life-drawing. Sucked eggs. I’d always painted abstractly, using a variety of tools and body parts, rarely brushes, incorporating lots of color. I remember one teacher, a well-known painter in his own right, standing behind me as I painted what was supposed to be a portrait, harrumphing in a nasty fashion. He consistently gave every one of my paintings an ‘F’. Rather than skew my GPA downward, I dropped out of the class. I haven’t painted since I was nineteen years old. Because of two people, author Katalina Leon and Stephanie - book blogger at Fangs, Wands and Fairy Dust, I’m thinking of picking up a brush again, except I’ll probably pick up forks, spoons, rakes, straws, sticks, dog bones…

But what does this have to do with writing? Well, when I stopped painting, I devoted myself to writing, at least for a time, and of course, picked it up again full time a few years ago. I begin every story like I would begin a painting - I view the blank canvas on my word processor and see the story’s potential, in living color. This isn’t paint by the numbers…the final result inevitably surprises me.

Tomorrow - why I miss all the parties.

How do you weight your characters?

Who weighs more? Your hero or your heroine?

Whose story do you emphasize?

In my humble opinion, a story is almost always weighted one way or another. Either the bulk of screen time (and inner conflict) falls upon the slender shoulders of the heroine or upon the broad shoulders of the hero. Some authors attempt to give all protagonists equal billing, but the prevalence of first person narrative increasingly dictates the weight of the story.

Let’s talk examples. I admit that in Pushing Her Boundaries, Maggie gets top billing. Mace is a perfect springboard for her journey of self-discovery, yet he’s not a cipher, far from it. That’s the trick when weighting a story one way or the other - to write your secondary character/s as a man or woman who would win best actor or actress in a supporting role.

Another example: In My Everything, my two protagonists, Grace and Ben, share screen time. Both are wounded and in need of emotional healing. I follow their journeys, separately and together, giving each journey equal weight. I even throw in an epilogue so the reader can experience first hand the sense of oneness these two create when their conflict is resolved.

Examples that aren’t my books…I’ll volunteer several of my favorite romance authors.

J.R. Ward - Her stories are heavily weighted in favor of the heroes, with the exception of Zsadist’s and Bella’s story in Lover Awakened. For me, the other female leads in most of the books have little substance, literally in one case.

Karen Marie Moning - Her Highlander series, with a couple of exceptions, is weighted in favor of the smokin’ hot Scots. Specifically, in Kiss of the Highlander and The Dark Highlander, I find that the heroines, after starting out strong, turn into cornmeal mush. By the time The Immortal Highlander and Spell of the Highlander roll around, one could perhaps argue that Gwen and Chloe have morphed into blithering idiots.

On the other hand, K.M.M.’s Fever series is very heavily weighted in favor of the heroine of the piece, MacKayla Lane. The journey through all the books is hers. Yes, there is a significant supporting cast, but still, from beginning to end, the story belongs to Mac.

Linda Howard - Perhaps one of the reasons I like Linda Howard so much, despite her few stinkers, is that she does, more or less, give equal weight to both her hero and heroine. If there is any imbalance, it’s usually in favor of the heroine - an imbalance I happen to prefer. I like to fantasize about a big, strong, assertive, hot alpha male as much as the next gal, but give me a heroine who can stand on her own two feet and take him on. Bring it, is my motto.

How do you weight your stories?