Rules to blog by, an homage to Penny… AND FREE BOOK!

I will avoid all discussion of religion unless it pertains to one of my books and/or facial hair.

I will avoid discussing any and all political issues unless the issues involve paranormal/science fiction politics and/or the politics of growing a beard and who looks hot with facial hair.

I will not criticize other authors on this blog unless he/she is growing facial hair and/or is not growing facial hair.

Gerard Butler gets a free pass regardless of facial hair or lack thereof.

So here ya go… FREE BOOK! It’s a short bitter sweet story that may or may not involve facial hair - Liz and Me.

Alba is caught between the man she loves and the woman who loves her. She can’t please both and she can’t have both. Someone must lose and it breaks two hearts.

The story is free beginning March 1, for five glorious days for your Kindle. Go buy… grow facial hair…

Oh, and my favorite laugh out loud commercial… as hubby says, how did this get past the censors?

A visit with author Casey Wyatt - Mystic Ink!

Happy Leap Day!

Welcome debut author Casey Wyatt - a great writer and a wonderful woman.

You Want to Know What?

Since I’ve started promoting Mystic Ink, I’ve learned a few things about myself.

One: I don’t like to answer the question, “Why don’t you tell us a bit about yourself?”

And two: my other least favorite question is, “What inspired you to write your book?”

When I get asked these questions, I stop and blink like a deer about to be run down by a Mack truck. In every interview so far I’ve saved the questions for last, avoiding them until I have no choice but to respond.

Crazy, huh? You’d think I would know how to answer these basic questions.

I’ve figured out why I struggle with question one. I live an ordinary life. I’m a mother, wife, employee, and Boy Scout merit badge counselor. Really, no different than anyone else. Yet . . . I’m also a writer. I’ve been a closet writer for a long time. In 2011, I finally came out of my writer shell and I’m still getting used to “owning” the identity. Plus, Casey is my pen name and, sometimes, we co-exist as two separate people.

Casey is a nice buffer to the real world. Example: Casey got rejected, not me. Or, Casey, you’ve been propositioned on Facebook today. See how that works?

And notice how I’m evading question two?

So, “Casey, what inspired you to write Mystic Ink?”

The short answer: a baby name book.

Mystic Ink popped into my head while researching character names for another story. While flipping through the aforementioned book, a single name jumped out off the page, Eudora: one of the fifty daughters of Nereus. Nereus is the Old Man of the Sea and his daughters are Nerieds or Sea Nymphs.

Excellent! The seed had been planted for a paranormal romance based on ancient gods living among modern humans.

Right away, Eudora insisted on being called by her middle name - Nix. I mean, who wants to be called Eudora? And the setting, Mystic, CT was there all along. Almost immediately after, I imagined the scene in the excerpt and it snowballed from there.

When the story begins, Nix keeps finding dead bodies in the alley behind her tattoo shop – Mystic Ink. Which led me to the next question – “why?”

Because there’s an entrance to the Underworld there, of course! Cal, the hero, is a supernatural police officer who comes to investigate. He’s a demi-god Son of Ares who wields fire. Nix is a water deity. What do you get when you mix fire and water? Steam!

The rest of the cast followed in short order. Nix’s distant cousin, the gorgeous God of the West Wind, Zephyr (the next book in the series is his). Her annoying parrot Basil, her capable assistant Jason Argos, and Satyr, Devlin Ward, rounded out the cast. They all have secrets, hopes, and dreams just like us mortals.

I guess the better question to ask is – “how could I not write Mystic Ink?”

Blurb:

The last thing Nix, a Sea Nymph, wants to see behind the dumpster near her tattoo shop is another dead mortal. She also doesn’t want to hear Hades piss and moan about how the souls of the dead aren’t making it to the Underworld. And Nix certainly doesn’t want to be attracted to supernatural police agent, Calder Quinne when he comes to investigate. All Nix really wants is to run her tattoo shop in peace and quiet. Hey, we don’t always get what we want, now do we?

Excerpt:

Nix, thoughts still swirling in her mind, headed toward the side door. After she unlocked the deadbolt, her eyes automatically went to the dumpster. Nothing. Thank the Gods. Her sigh of relief was quickly sucked back in. A dark shape further down the alley caught her eye. Maybe it was a heap of clothes or a bag of garbage. Whatever it was, it was lying near the entrance of the Underworld Gate. The Gate was invisible to all eyes, except Guardians—like her, Hades, and Charon. Whoever or whatever was back there couldn’t have known how close they were to the Underworld.

“Hell. Now what?” Please, be trash that some rude asshole left in my alley.

Rather than kick it with her foot, she decided to be more prudent and find something long to use as a poker. While grabbing a shop broom inside, she registered how quiet the place was. Of course, Basil wasn’t there. He was still with Jason.

Back in the alley, Nix slowly approached, straining for a better look. The pile was inside the building’s shadow. The closer she got, the more the lump resembled a body. She cursed. “Oh, come on! Why does this keep happening?”

Broom at the ready, she gave it jab. The mass was solid and there was no crinkle of plastic. So much for the garbage bag theory. Man, she did not want to have to call the police. At the rate she was going, they would probably arrest her just on principle.

Stupid mound.

She lifted the broom, ready to strike. An arm sprouted from the pile and shot up, stopping the handle from falling.

Nix barked, “What the hell?”

The broom clattered to the ground.

A dark figure rose up. The set of the shoulders, the short black hair . . . it was awfully familiar. “Cal?”

“Nix,” he said, his voice strained and tired. His arm extended, propping his body against the brick wall.

“If this is your idea of a joke, it’s not funny.” When he didn’t respond, Nix came up behind him and placed her hand on his back. “Are you—”

The words choked off. There was something wrong. Really wrong. His energy, the essence of his life, was out of whack. Like he was missing . . .

She put her hand up to her mouth, swallowing dread as he turned to face her. “Cal, where’s your soul?”

Visit Casey on the web: www.caseywyatt.com or at http://secretsof7scribes.wordpress.com/. You can also find Casey on Facebook and Twitter (@CaseyWyatt1). Mystic Ink can be found at www.soulmatepublishing.com and at Amazon and Barnes & Noble.

 

 

I have no regrets…

about getting a foot in the door via e-publishers. Now I’m moving out on my own, baby step by baby step.

Other author friends are doing the same. This is a brave new world.

J. W. Manus has series of excellent posts on the steps involved in self-pubbing. Well worth the read.

I’m revising my four-book science fiction series, Daughters of Persephone, exploring cover options, learning to format… Yup. Fun, scary, all good.

In the end, the buck stops with me, but I’m happy to say I have friends in low places.

Tomorrow - a guest, Casey Wyatt!

 

Don’t kid yourself, I watch it for the dresses.

I should slap this bumper sticker on my car — I brake for superficiality!

And the winners are:

Glenn Close for one of the most figure-flattering, tasteful gowns I’ve ever seen. Love the color, love the cut, love the way she looks in it. Glenn Close is not one of those movie stars I expect to make the grade when it comes to glamour, but this time, she really picked a winner.

 

 

 

Both Octavia Spencer and Milla Jovovich are the epitome of old time elegance in these glittering gowns. I’m not usually a fan of glitter, but wow, these two women really stand out. I love the way Milla’s dress drapes across the bias and Octavia’s fits her like a glove. Perfect.

 

 

 

 

 

 

 

 

 

 

Viola Davis gets high marks for the glorious emerald green color of her dress and its unusual cut. She looks fantastic in this gem.

 

 

 

 

 

Rooney Mara is a winner from head to toe. I love her retro look. She may be new to the red carpet, but she dressed like a pro.

 

To quote Tom Stronach… Is it me? Why I didn’t like The Help.

It’s 4:15 a.m. as I write this. Once again my OCD-ish cat has kept me awake. While I’m tossing and turning and he’s banging repeatedly on what he’s decided is his official nighttime banging door, I’m trying to put my finger on why I didn’t like The Help, despite stellar acting by Viola Davis, Octavia Spencer, Bryce Dallas Howard, Emma Stone and Jessica Chastain, and impressive cameos by two of my all time favorite actresses, Sissy Spacek and Cicely Tyson.

I should like this movie, right? It’s kind of a chick-flick, as in Mean Girls meets Driving Miss Daisy. What’s not to like?

Hmmm, good question. Let’s start with this. I suspect I’m not stretching the truth when I say the issues surrounding race in Jackson, Mississippi, back in the early ‘Sixties, were far more complicated than a twenty-something villainess straight out of Comicsville, (Miss Milly, Bryce Dallas Howard) imposing her will on the entire town, (as if), forcing meek white homeowners to build separate bathrooms for the help and urging her clique to hide beneath bridge tables when white trash,Celia Foote,(Jessica Chastain, the only genuinely nice white woman in the film), comes knocking at the door.

Reminded me of high school high-jinks. Good times… gotta love those old high school high-jinks. Except the events in Jackson, Mississippi, weren’t high school shenanigans. They were deadly serious.

Don’t get me wrong. People can write whatever they want. I’m not saying Ms. Stockett was obligated to get my prior approval before writing The Help. Hey, nearly everybody I know has read The Help and loves it. It’s not that I need the ugly truth and nothing but the ugly truth, it’s just that I’m not entirely certain I want this particular episode in history morphed into a pair of fuzzy pink bunny slippers.

Countless stories came out of the Nazi Holocaust, stories of both triumph and tragedy, riveting tales of heroism and sacrifice by Jews and nonJews. Not every Jew’s story ended at the gates of Auschwitz or the gas chambers in Birkenau. But I don’t think I’d be all that stoked to watch a movie portraying Heinrich Himmler or Dr. Josef Mengele as the cartoon villain, Snidely Whiplash. I’m just saying that wouldn’t be my cup of tea unless I knew it to be pure satire from the get-go. And perhaps that’s exactly what’s troubling me. I don’t believe everything has to be deadly serious all the time. But this movie begs to be taken seriously.

In The Help, Skeeter Phelan — Emma Stone, our protagonist, may be a sensitive young woman, but she doesn’t really change or grow — except she manages to stick it to Miss Milly on the sly, mostly via the maid, Minnie, because Skeeter never once confronts Miss Milly openly.

Skeeter does not pass through the fire like the maids do — the women whose stories she records. Skeeter never publicly bucks the status quo, she’s not ostracized from her own society, she doesn’t suffer because of what she’s done. She’s not the one who takes it on the chin, who loses the job she so desperately needs because she told tales out of school. She doesn’t go to prison. Her life is not in danger because of the book. Oh, she might not be asked back as chairwoman of the Junior League newsletter next year, but who cares? She’s got a career in New York to look forward to.

Skeeter is the one character who realizes her dream.

Oh… the lost boyfriend? Wasn’t much there to lose in the first place.

As the credits rolled by, I pondered the following…

1. Why throw in the Bob Dylan song, Don’t Think Twice, It’s All Right? Yes, I know the song is mentioned in the book, and I know he wrote the song back in the early ‘Sixties, but it was an awkward fit for the movie, the particular scene, and Jackson, Mississippi. In fact, it was a non sequitur that added nothing to my understanding or enjoyment of the film. On the contrary, I found it irritating and ingratiating.

2. Could a book like The Help have been sold in Jackson, Mississippi, at that time? A Mammies and Maids tell-all book about their white employers? I have some serious doubts. I get the feeling that while a book like that might have been a laugh a minute in New York City, it wouldn’t have gone over all that well in Jackson in the ‘Sixties. Not to mention the fact that tell-all books were not in vogue during that period of time.

3. A female Jewish publisher? Talking about a slush pile? Stereotype much? (I’m not convinced the term slush pile was generally understood back in ’63-’64, if it was even used.)

4. Speaking of stereotypes — I noticed a preponderance of one-dimensional characters. That the characters were fleshed out at all is a tribute to the acting chops of the professionals involved, especially Viola Davis and Octavia Spencer.

5. The contrived scene of Constantine’s (Cicely Tyson) aged hands caressing the pencil lines where she’d measured Skeeter’s growth, as if Constantine had no children of her own, implying these black maids loved their white charges as much or more than they did their own children. While my husband sat there sniffling, I snorted.

“You’re hard-hearted,” he said.

“No, I’m not,” I said. “Maybe sometimes they did love their charges, but I refuse to be manipulated like that.”

I was secretly listening to Scarlet O’Hara’s voice… “Oh fiddle-dee-dee!” I admit it, I’m a fan of Gone with the Wind. At least Scarlet gets her ass whupped a few times.

6. Leroy. ‘Nuf said.

I’m in the minority, I guess. Didn’t take much away from the film but annoyance. Frankly, I’d rather watch Mean Girls. At least in the end, every mean girl gets what’s coming to her.