I receive David Farland’s Daily Kick (‘cuz it’s like a kick in the pants or a jump start). On Saturday he said,
“Last week I was talking with a phenomenal screenwriter, and he said something that I should warn new authors about. He said, “You know, every time I write a screenplay and take it out, the producers and directors will always get to the very best scenes, and they’ll try to figure out some way to ‘make it better,’ to add their own little twist to it. Why do you think it is that they can’t resist that impulse?”
I know the answer. It’s said that in Hollywood, “A great screenplay attracts producers and directors the way that a fire hydrant attracts dogs: everyone wants to leave his mark on it.”
In other words, people want to make it their own.”
He includes critique groups, editors and other authors in this category of people wanting to leave their mark on your book. He goes on to say:
“All of the methods of trying to “own” a story listed above should be unacceptable. If you see someone engaging in that behavior, let them know that they’re out of line. If you find yourself trying to take control of another writer’s story, back off.
If someone wants to own your work, suggest to them that there is a socially acceptable way for them to do so: they can buy it!”
And:
“But as an artist, beware. Critics, editors, agents, producers, directors, actors, family, and even fans will sometimes try to influence you to change your work in ways that might damage it, alter it from your original vision. Hold true to your vision.”
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Another tidbit from RWA nationals to back Dave up. Heard several editors say they are seeing too many overly polished books where the voice is flat or edited right out of the story. They said the raw stuff is often the best stuff. Now that doesn’t mean never edit your work, but it does suggest you should protect your voice.
Interesting. When I judged a contest last year, the best work I read was unpolished. She wasn’t a great technical writer but she could tell a great story. The other four works were very polished but also very forgettable.
Very interesting!
Sincerity is key in art. It’s why a primitive painting or an unpolished piece of writing can be more enjoyable or tell us more than a photographic painting or a polished bit of writing.
I used to have the problem of a retired designer always telling me what was wrong with my paintings. He was at one of the places my painting group met. It was a reason I stopped painting in the group.
Fangs, Wands and Fairy Dust
email: steph@fangswandsandfairydust.com
Twitter: @fangswandsfairy
That’s a very good reason to stop painting with that group, Steph. I love a work that’s raw and elemental - just like I enjoy good storytelling, no matter how unpolished.
Very interesting and there is a great point…
Yes, I think it’s a good point too, Savannah.